RE: Re: Cyanotypes (and exposure times)

From: George L Smyth <glsmyth_at_domain.name.suppressed>
Date: Fri 21 Jan 2005 - 04:31:56 PST

Andy -

Since most alternative processes are a contact printing process, I think that trying just about any of them within a pinhole camera is going to be futile. One possibility might be to coat watercolor paper with liquid emulsion, which is considerably faster than any alternative process I know.

I am going in the opposite direction and am in the process of trying anthotype, which requires several weeks of direct exposure outside. <g>

Cheers -

george

-----
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 --- On Fri 01/21, Andy Schmitt < aschmitt@warwick.net > wrote:
From: Andy Schmitt [mailto: aschmitt@warwick.net]
To: pinhole-discussion@spitbite.org
Date: Fri, 21 Jan 2005 07:05:57 -0500
Subject: RE: [pinhole-discussion] Re: Cyanotypes (and exposure times)

I wonder what the "fastest" alternative emulsion is... It would be<br>interesting to use a setup like this outdoors integrating time together.<br>Someone already did this (dam* name memory again) but he used film..<br>andy<br><br>-----Original Message-----<br>From: owner-pinhole-discussion@spitbite.org<br>[mailto:owner-pinhole-discussion@spitbite.org] On Behalf Of Malin Fabbri<br>Sent: Friday, January 21, 2005 6:29 AM<br>To: pinhole-discussion@spitbite.org<br>Subject: [pinhole-discussion] Re: Cyanotypes (and exposure times)<br><br><br>Talkning of cyanotypes... i tried using cyanotype coated paper in one of my<br>pinholes - this one a f/195. I exposed the paper for some 8 hours, indoors,<br>with bright studiolight. It was a very very faint image as a result... shame<br>this doesn't work, it would be fun making cyanotypes straight from the<br>pinhole. In other words, don't waste your time making cyanotypes that way.<br>Regards, Malin<br><br>=====<br>Malin Fabbri<br>malin@alternativephotography.com<br>Join the
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Received on Fri Jan 21 04:32:10 2005

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