---- Original Message -----
From: "George L Smyth"
>
> The biggest I made was a 16"X20" out of foam core. The real problem with
it was that it was rather unweildy,
For those interested this is how I've resolved the problem: I've used
2-layered black foamcore to make my 20x24 camera. Each layer was precut and
glued together with bookbinding glue. Once the box is finished, you could
almost sit on it (well, sort of...) and yet it is very light (you need to
hold it in place with your hands during the time of the exposure or to put a
big book on top to hold it steady if you're outsdide and that it is windy.
The drawing below shows more or less how it works, as seen from above the
box. Let's assume that this is a 20x24 box with a 15 focal, but it could
be 8x10 or 4x5.... The box is built with two layers of 1/4" black foamcore
(BTW, single 1/4" black foamcore is not 100% light tight!).
___ ___
___ ___
I s1 I I s2 I
I s2 I I s1 I
I s1 I I s2 I
I s2 I I s1 I
I s1 I I s2 I
I s2 I I s1 I
I s1 I I s2 I
I s2 I I s1 I
I s1 I I s2 I
I s2 I I s1 I
I s1 I I s2 I
I s2 I I s1 I
I s1 I I s2 I
I s2 I I s1 I
I s1 I I s2 I_______________ ________________I s2 I I s1 I
I s1 I I__________________I I____Front inner layer___I I s1 I
I s1 I
I s1 I
I s1 I ___________________ Pinhole ____________________I s1 I
I_______________________I Here I______Front outter layer____I
The 2 layers (inner and outter) are dimensioned and fitted together at the
joint in such a way as to become a light-trap in the form of a "staircase".
Thgis acts also as a reinforcement for the box.
Thus, on the Front side, the side with the pinhole, the inner layer is
equal to 20" x 24", i-e the side of the emulsion (remember, it could be
8x10 or 4x5"...). The outter layer will be equal to these dimensions plus
1/4" on each of the four sides to allow for the "staircasing". Hence it
will be equal to 20 1/2" x 24 1/2". Glue the two layers so that the inner
one is perfectly centered. Drill a hole before hand to fitt the pinhole
between the two panels.
Now, the vertical sides Right and Left. The inside panel " S2" is
equal to 14 3/4" x 20 " (that is: the focal length of the camera _ minus
1/4" because the pinhole is fitted on the inside of the outter front panel _
X the side of the paper emulsion.). The outside panel "S1" will be equal
to 15" x 20 1/2" (that is the focal length x the side of the emulsion plus
twice 1/4" for the staircasing of the panels. Glue the panels so that the
focal length side "staircases" in all directions except the side where the
back of the box with the emulsion is fitted flush.
The same principles apply when cutting and glueing the Top and Bottom
sides of the box (they each will be 14 3/4" x 24" for the internal panel and
15" x 24 1/2" for the outter panel).
Finally, the Back side, the one where the emulsion will be fitted on.
I normally make it as a 3-layer contraption. One layer is 20"x24", exactly
equal to the emulsion size (and also to the "internal" dimensions of the box
when it is assembled). It will be glued to a second layer, this one equal
to the outside dimensions of the box (that is 20 1/2" x 24 1/2") and on the
external edges of this panel, a 2" strip of black foamcore will be glued
(thus making it equal to 21" x25"). Then, a 21" 25" layer is glued on top
of that second layer and a 2 1/4" strip is glued on the sides, thus
"staircasing" the cover of the box.
Note that when this cover is slipped onto the box, the first layer
(that is the one that is 20"x24" slips exactly inside the box. The second
layers becomes the light trap and the thisrd layer is there only to ensure
complete opaqueness. The paper emulsion is held in place on the first layer
by whatever method you feel is appropriate (blue gooe, two sided tape,
etc...). There is no rule here and no simple solution.
This being a single-shot-at-a-time, you load the camera in your favorite
darkroom and go on location to shoot your picture after having made sure
that you have worked out everysingle detail of your shot. If you happen to
know a place where to remove the expose emulsion and refill the camera close
to the shooting scene, consider how lucky you are, bring a lot of spare
emulsion and use the darroom as much as you can...
Regards,
Guy
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Received on Sat Jul 31 22:46:07 2004
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