I understand the sentiment expressed here, but the short answer is
"because you can't."
There is no practical way to manipulate a lens photo to make it look
like one shot with a pinhole. You can make it fizzy, but that's not the
same thing. (If you stop a lens down to f/125 you can get a pinhol-
like shot, but you can get the same shot by stopping the lens down to
f/125 and removing all the glass elements from it...)
I would say that 95% of the time, "sharpening" added added to a scanned
pinhole shot is to correct for problems caused by the scanning process.
The sharpening is not (usually) being added to make the pinhile shot
look "better", but to make it look more like the original.
Mike Vande Bunt
Jean Hanson wrote:
>About the message two days ago; a member took a pinhole image,
>"sharpened" it in Adobe or a digital method, and printed it out. I
>wonder why we don't just take traditional lens photographs and smear
>them a little and print them out to look like pinhole work. What is it
>that we are doing? I love pinhole photography and am retired from
>traditional photo studio work. So my sister asked me recently, "why are
>you and your friends intent on taking bad pictures?" I have always felt
>we had a kind of philosophy...we were trying to see the world, or time,
>or light another way. And I am not down on digital....but it is hard to
>explain to non- participants that we really are doing something, and
>something important. If we sharpen the images to look like better
>conventional photos, is something being lost? The mystery? The
>understanding of an almost occult medium? An atempt to see what light is
>really doing as it hits and wraps around an object? What can I tell my
>sister? Jean
>
>
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Received on Wed Dec 11 02:04:16 2002
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