Re: Color 120 format films

Thanks for the advice.

in regards to having a lot of the NPH, i use that with my regular holga
anyway, so i haven't really commited it, so to speak, to the pinhole holga.
i am certainly not attempting to emulate ansel adams. i will be doing my
own printing, as i'm presently taking a color photo class. i was
recommended to use NPL, so maybe i'll try that. i plan on doing some night
color pinhole work, as i feel like this project i'm working on will call
for such.

in regards to my friends work, he printed them himself. they are something
like 16"x20" prints, so the color shift at the edges is very apparent. i
don't plan on printing so large, possibly only up to 11x14, so maybe it
won't be so apparent.

i'll post my results when i work everything out.

thanks,

Steve

> [Original Message]
> From: Michael Healy <mjhealy@kcnet.com>
> To: <pinhole-discussion@pinhole.com>
> Date: 10/27/2002 1:34:23 AM
> Subject: Re: [pinhole-discussion] Color 120 format films
>
> Steve, if you've got that much NPH, why not just shoot some. See what
> happens. You've committed yourself to a camera that runs as far from
> high-end, high quality images as you can get. So push that. Just shoot the
> stuff.
>
> I have not shot NPH, and I haven't shot any color at all in pinhole. All
my
> pinhole work has been in b&w. But I have done color night work. My films
> were NPL, NPS, Reala, all exposed for 10-15 minutes or even more. Results
> can be gorgeous, even with 10 and 15 minute exposures. I've even used,
very
> long exposures. Those results were weird, and also pretty cool. With night
> work, you do a lot of bracketing anyhow, so one is going to turn out.
Always
> works that way. It doesn't necessarily look like what you plan, but again,
> if you're trying to emulate Ansel Adams, pinhole is not exactly your best
> choice of medium. I would just try it, bracket, then try it again. And
> either scan yourself or do your own printing. I wouldn't judge the results
> by the lab's prints.
>
> Your friend's problem is hard to address. Are the images from negs? What
> film, and what conditions? Who printed them, a one-hour shop? One thing
> about printing your own color is that you can correct (or manipulate) the
> color locally, using small color-correcting filters like burning/dodging
> tools. Labs can do that too, but it will cost you, and it's hard to convey
> explicit instructions from the front desk. Sounds like your friend got a
> straight print. That sort of thing can be altered in all kinds of ways in
> the printing process.
>
> Mike Healy
>
>
> ----- Original Message -----
> From: Steve Bell
> To: Pinhole List
> Sent: Saturday, October 26, 2002 8:28 PM
> Subject: [pinhole-discussion] Color 120 format films
>
>
> Hey Everyone,
>
> so after almost a year on this list, i finally made a pinhole camera. it
> was absolutely necessary for this project i am doing (authentic space),
and
> so i justified taking up schoolwork time to make it (the project is for
> school, so it works out ok). so i have a question. what color films does
> everyone use? i'm presently using fuji NPH, as i've got a bunch of it and
> i've been using it in my holga. oh, i should mention the pinhole camera i
> made is a pinholga. so i went to fuji's website to check out the
> reciprocity chart, and they say 'exposure of longer than 16 seconds is not
> recommended'. so there was no chart, and i'm kind of flying blind, which
is
> kind of fun, but it makes me think there might be a better film for me to
> be using.
>
> so what films do you all use, color-wise, for pinhole photographs?
>
> oh yeah, one more question, a friend of mine was showing me his color
> pinhole shots, and there was a slight magenta shift on the edges of the
> image, is there any way to correct this?
>
> thanks,
>
> --- Steve Bell
> --- Veracity000@earthlink.net
> --- http://www.unbeknownst.org/~insurrective /
> http://www.angelfire.com/zine2/insurrection
> --- In fact, rock, rather than being an example of how freedom can be
> achieved within the capitalist structure, is
> an example of how capitalism can, almost without a conscious effort,
> deceive those whom it oppresses...So
> effective has the rock industry been in encouraging the spirit of
> optimistic youth take-over that rock's truly
> hard political edge, it's constant exploration of the varieties of
> youthful frustration, has been ignored
> and softened. --Michael Lydon
>
>
>
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--- Steve Bell
--- Veracity000@earthlink.net
--- http://www.unbeknownst.org/~insurrective /
http://www.angelfire.com/zine2/insurrection
--- In fact, rock, rather than being an example of how freedom can be
achieved within the capitalist structure, is
     an example of how capitalism can, almost without a conscious effort,
deceive those whom it oppresses...So
     effective has the rock industry been in encouraging the spirit of
optimistic youth take-over that rock's truly
     hard political edge, it's constant exploration of the varieties of
youthful frustration, has been ignored
     and softened. --Michael Lydon
Received on Sun Oct 27 01:44:45 2002