Bernard, you have me thinking about this!!
There would be some DEFINATE advantages in 16mm animation (or 35mm
animation!) if the camera were small (only as large as the film load).
the questions are:
#1 how to insure proper registration??
#2 how to advance the film??
I considered using old projector parts but that would be as bulky as
a camera, probably even bulkier. I wonder if anything could be built
out of such parts???
If you figure anything out, man, PLEASE let me know...
Ed Gendron
2 words about "hand processing" your 16mm motion picture
film.....different chemicals. At least I know some stocks are and I
THINK that all of them are.
BUT if you shoot up to 100 feet this way (2 & 3/4 minutes running)
you can get it easily & hassle free processed at a motion picture lab
for about $20 - 30.
>Hello, all:
>
>I just subscribed (as of yesterday), having cast about for a way to shoot
>a 16 mm film without renting a camera, without paying a lab's developing
>fee, and without boring my easily-bored eyes. Hitting the web for tips, I
>have rigged a little canister for 35 mm still photography with both
>pinhole and slots through which to advance 16 mm film. It was a lazy
>Sunday I spent dabbling without much conviction, scrounging around for
>tape, glue, a box, you know the story. I am still amazed that this should
>work, in theory at least. We have a simple mechanism for advancing the
>frame and keeping registration without exposing frames to light until they
>enter the gate of the canister. Has this been done? Once exposed, I'll
>have only to hand-process the thing. And then, . . a movie . . of
>pinhole photographs!
>
>
>
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-- ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ Edwin Gendron Virginia Tech Residential and Dining Programs Graphics 43 Owens Hall (0223) Blacksburg, Va. 24061 (540)231-5398 egendron@vt.eduReceived on Tue Nov 14 16:14:29 2000
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