Thanks Sandy...
How one would do a matte surface tissue? Is it only the function of the
pigment (darker -> more glossy, weaker -> less glossy - as I get from
your message), or do you add something else into the glop?
Regards,
Loris.
-----Original Message-----
From: Sandy King [mailto:sanking@clemson.edu]
Sent: Friday, March 23, 2007 4:20 PM
To: carbon@spitbite.org
Subject: RE: [carbon] My book -- finally!
Yes, but bear in mind that the characteristics I describe would only
apply to this specific carbon tissue formula, which tends to produce
a final print with a matte rather than sheen surface. But for this
image the result was as follows.
1. Fixed out Kodak Polymax FD surface, double weight. There is a real
glow to the print in the mid-tones and highlights.
2. Arista single weight matte surface. Print has much less life, very
little sparkle.
3. Yupo. Print is flat dead.
However, if using a tissue with a tendency toward a lot of gloss, say
one made with just the Black Cat carbon pigment ink, a print on Yupo
can look very nice.
This is why I wrote that so much depends on the interaction between
the tissue and the final support.
Sandy
At 4:07 PM +0200 3/23/07, Loris Medici wrote:
>Dear Sandy,
>
>Can you please share your observations about the different final
>supports you've tried for the same image? (I assume the tissue was same
>for all prints...)
>
>BTW, congratulations Richard...
>
>Best regards,
>Loris.
>
>-----Original Message-----
>From: Sandy King [mailto:sanking@clemson.edu]
>Sent: Friday, March 23, 2007 3:56 PM
>To: carbon@spitbite.org
>Subject: Re: [carbon] My book -- finally!
>
>
>Congratulations on the book. Does it cover color?
>
>There is for sure no one way to make a carbon print. In general I find
>that the process is much cleaner and less subject to error when
>synthetic surfaces are used for both the tissue and the final support.
>
> From the point of view of final image appearance so much depends on
>the tissue itself, and how it interacts with the final support. For
>example, images from some tissues look much richer on glossy type fixed
>out papers, while others like a more matte or flat look. I made three
>duplicate images several days ago, placing each on different final
>support, two on different fixed out photo papers and one on Yupo. The
>difference in appearance of the three images is quite striking.
>
>Sandy
>
>
>
>
>
>
>
>At 12:10 PM -0600 3/22/07, Richard Sullivan wrote:
>>As many of you know, I have been working on a book on carbon printing.
>>It's been a struggle and a joy. Every time we get to the point where
>>we think we have something down pat, we discover a new and better way
>>to do it! We meaning my faithful crew known as the Carbon Study Group:
>>myself, Gordon mark, Howard Efner, Carol Becvarik, and a few
>>occasional helpers who drop by. A big debt is owed to them, especially
>>when they come in excited about making some prints and I suggest they
>>try one of my ideas and a days work goes in the crapper!
>>
>>The book is printed in color and is well illustrated which helps quite
>>a bit. As we have all learned over the years on this List, there is no
>>set way to make a carbon print. This is one of the joys and also one
>>of the frustrations of the process, so I beg a bit of tolerance on
>>this. As the carbon renaissance matures, we will perhaps stabilize
>>some of the procedures. To cover every way a print might be made would
>>be an overwhelming a project and certainly bewildering to an novice
>>printer.
>>
>>I have rudimentary website up at www.carbonprinting.com and a link to
>>some sample pages.
>>
>>Enjoy
>>_______________________________________________
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Received on Fri Mar 23 06:35:11 2007
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