Eric,
I don't recall seeing tri-color carbro prints at the U of Texas, but
there are many other monochrome prints there from the mid-1900s.
In fact, they had some color prints there by Mac McCowan that were
mislabeled as Ultrastable, when in fact they were C-Prints or
Cibachrome. I pointed this out to them and hopefully the mistake has
been corrected.
Sandy
At 8:34 PM -0800 12/22/06, Eric Scott wrote:
>Sandy,
>
>I've never been to Texas. I now have a reason to go. Thanks for
>the tip. I saw several older color carbro's at the SFMOMA and at
>the Center in Tucson. No relief. I was disappointed. I look
>forward to seeing the prints at the Harry Ransom Center. I take it
>I can see the color carbro's you refer to at the Center in Austin?
>
>For some reason, I just have to see directly with my eyes what's
>been done in carbon printing.
>
>Eric.
>
>On Dec 22, 2006, at 8:09 PM, Sandy King wrote:
>
>>I am not Dick, but I have seen many vintage carbon prints that have
>>a lot of relief. If you go to the Harry Ransom Center in Austin at
>>the Univesity of Texas you will see a lot of them. Many are form
>>the mid-19th century. You will also see many that don't have relief.
>>
>>Relief is defintely not a modern phenomenon, but a very natural
>>part of printing in carbon in a certain way.
>>
>>Tri-Color carbro prints of the 1940s and 50s simply knock you off
>>your socks with the amount of relief.
>>
>>In this as in so many other the going word seems to be, "if I have
>>not seen it, it is not so."
>>
>>Sandy
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Received on Fri Dec 22 21:00:08 2006
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