Dear Halvor
I send you the bibliography related to pigment processes I give to my
students every year. You could find a lot of english quotes among the full
text and of course, many french papers. Probably some of them may be
avaliable in your school library.
My list of quotes includes some chapters devoted to history of color
photography, a field which is closely connected with evolution of pigment
processes.
It's my first post to the new formula of carbon list so I renew my
presentation. I teach BW silver based photography, alternative processes
and photographic conservation in Louis Lumiere French National School of
Photography, located 15 miles east Paris. Two "water based " lab are still
runing in our school and I hope at least one of them will survive to
digital switching trend.... Dry labs are the future of photography but I
am convinced that wet darkroom will remain the most pertinent tool to teach
the basics of visual education and more for people interested in historical
and alternatives approaches.
Have a good trip in carbon
Jean-Paul GANDOLFO
ENS Louis Lumiere
Marne-la-Vallée
France
History of pigment processes : a bibliography
1 - General
1.1 Bibliography
BARGER S., Bibliography of photographic processes in use before 1880,
Rochester, Rochester Arts Research center, 1980.
BONI A., Photographic literature, New-York, Morgan & Morgan, 1962.
BONI A., Photographic literature 1960-1970, New-York, Morgan & Morgan,
1972.
EPSTEAN E., A catalogue of the Epstean collection, Columbia University
Press, 1937.
ROOSENS L. , SALU L., History of photography, a bibliography of books,
London & New York, Mansell, 1989.
1.2 Dictionaries, encyclopaedias
BALDWIN G., Looking at photographs, Malibu, The J. Paul Getty Museum &
British Museum Press, 1991.
BEGUIN A., Dictionnaire technique de líestampe, Bruxelles, André Géguin
(chez líauteur), 1976.
BOVIS M., LEFEBVRE B., BARRETTE M., Synopsis, 1980.
BRUNEL G., La photographie, Paris, Société française díédition díart, 1898.
COE B., HAWORTH-BOOTH M., A guide to early photographic processes, Londres,
Victoria & Albert museum, 1983.
CRAEYBECKX, Elsevier dictionary of photography in three languages :
english, french & german, Amsterdam, Elsevier, 1965.
KRASZNA-KRAUSZ A., The focal encyclopedia of photography (2 volumes),
Londres, Paris, New York, Focal Press, 1965.
LA BLANCHERE H. (de), Répertoire encyclopédique de photographie, 1862.
MORA G., Petit lexique de la photographie, New York, Paris, Londres,
Abbeville Press, 1998.
NADEAU, Luis. Encyclopédia of printing and photomecanical processes,
Fredericton (chez líauteur), , 1989.
NIEWENGLOWSKI G-H., Dictionnaire photographique, Paris, Charles Mendel,
1894.
PAPUT C., Vocabulaire des Arts Graphiques, de la Communication, de la PAO
etc ..., Paris, TVSO, 1997.
SEGUY François, Le sens et líorigine du vocabulaire photographique, Presses
universitaires du Septentrion, Villeneuve díAscq, 1999.
WALL E.J., The dictionary of photography (dix-huitième édition), Londres,
Illife & sons, 1957.
WOODBURRY W., The encyclopaedic dictionary of photography, New York, The
Scovill & Adams company of New York, 1898.
1.3 Formulary
EDER J. M., Formules, recettes et tables pour la photographie et les
procédés de reproduction, Paris, Gauthier-Villars, 1900.
SASSI Luis Dr, Recetario fotografico, Coleccionde 537 formulas y
procedimientos (segunda edicion), Barcelona, Gustavo gili, 1922.
WALL E., J., Photographic facts and Formulas, Boston, American Photographic
Publishing, 1924.
1.4 History of photography
AUER, Michel et Michèle. Encyclopédie internationale des photographes de
1839 à nos jours, Genève (Suisse), Camera Obscura, 1985.
FRIZOT, Michel. Nouvelle histoire de la photographie, Paris, Bordas, 1994.
FRIZOT , M. et DELPIRE, R. Histoire de voir, (collection photo poche),
Paris, Centre National de la Photographie, 1989.
LECUYER, R. Histoire de la photographie, Paris, Baschet, 1945.
LEMAGNY, JC. et ROUILLE, A. (sous la direction de). Histoire de la
photographie, Paris, Bordas, 1986.
NAEF Weston J., The Collection of Alfred Stieglitz, Fifty Pionners of
Modern Photography, New York, Metropolitan Museum of Art/Viking Press,
1978.
NEWHALL, B. The history of photography from 1839 to the present day, New
York (USA), The Museum of Modern Art, (éditions multiples).
ROSENBLUM, N. Histoire mondiale de la photographie, Abbeville Press, 1992.
1.5 Alternative processes
CRAWFORD, William. Keepers of light, New-York, Morgan, 1979.
JAMES C., The Book of Alternative Processes, Delmar Thomson Learning,
Albany, 2001.
REXER Lyle, Photographyís Antiquarian avant-garde, The New Wave in Old
Processes, New York, Harry N. Abrams, 2002.
WADE K.E., Alternative photographic processes, New York, Morgan & Morgan,
1978.
1.6 Technical
CLERC LP., La technique photographique, Paris, Paul Montel, (6 éditions
from 1926 to 1957).
COUSTET E., traité général de photographie en noir et en couleurs, Paris,
librairie Delagrave, 1933.
DAVANNE A., La photographie (vol. 1 & 2), Paris, Gauthier-Villars, 1886.
EDER J.M., Formules, recettes et tables pour la photographie et les
procédés de reproduction (translating. G. Braun), Paris, Gauthier-Villars,
1900.
FABRE C., Traité encyclopédique de photographie (7 volumes), Paris,
Gauthier- Villars, 1890.
LIEBERT A., La photographie en Amérique (deuxième édition), Paris, Liébert
A., 1874.
MONCKOVEN Van, Traité général de photographie suivi díun chapitre spécial
sur le gélatino-bromure díargent, (7 th édition), Paris, Masson, 1880.
NEBLETTE C.B., Imaging processes and materials (huitième édition), Van
Nostrand Reinhold, 1989.
1.7 Chemistry
BARRESWILL, DAVANNE, Chimie photographique (4 th édition), Paris,
Gauthier-Villars, 1864.
FOURTIER M., H., Dictionnaire pratique de chimie photographique, Paris,
Gauthier-Villars et fils, 1892.
GLAFKIDES, P. Chimie et physique photographique (5 th édition), Paris,
LíUsine Nouvelle, 1987.
MASON L., F., A., Photographic processing chemistry (3th édition), Londres,
New York, Focal Press, 1979.
MATHET L., Traité de chimie photographique (2 volumes), Paris, Charles
Mendel, 1912.
MELDOLA R.,The chemistry of photography, New York, Macmillan & Co, 1891.
MONTEL P. et GLAFKIDES P., Cours de chimie photographique, Paris, Le temps
apprivoisé, 1992.
NAMIAS R., Chimie photographique, manuel théorique et pratique, Paris, G.
Naud, 1902.
2 . PIGMENT PROCESSES
2.1 Alphonse Poitevin processes
AUBENAS Sylvie, Alphonse Poitevin (1819-1882) photographe et inventeur, La
naissance des procédés de reproduction photomécanique et de la photographie
inaltérable (Alphonse Poitevin, Photograph and inventor, bearth of
photomecanical processes and permanent photography), thesis,, 1987.
COLSON René, mémoires originaux des créateurs de la photographie, N Niépce,
Daguerre, Bayard, Talbot, Niépce de Saint-Victor, Poitevin, Paris, G .
Carré & C. Naud, 1898.
POITEVIN Alphonse, Traité des impressions photographiques (second édition),
Paris, Gauthier-Villars, 1883 (reprinted in 1983, Lafitte, Marseille)
2.2 Ducos du Hauron processses
BERGER Jean-Louis, Louis Ducos du Hauron (1837-1920) et les débuts de la
photographie couleur de 1869 à 1879, Maîtrise de Sciences et Techniques,
image photographique, sous la direction díAndré Rouillé, université Paris
VIII, année 1991-92.
BERGER Jean-Louis, Correspondance Alcide Ducos du Hauron - Georges Tholin,
La photographie des couleurs et líimprimerie de 1881 à 1891, Diplôme
díétudes approfondies, sous la direction díAndré Rouillé, université Paris
VIII, année 1992-93.
Bulletin de la Société Française de Photographie, 1869, p 122-125, p 144, p
152-157 et p 177-182.
DUCOS DU HAURON A., La triplice photographique des couleurs et
líimprimerie, système de photochromographie de Louis Ducos du Hauron,
Paris, Gauthier-Villars, 1897.
DUCOS DU HAURON L., Les Couleurs en Photographie, solution du problème,
Paris, A. Marion, 1869.
DUCOS DU HAURON L., Les Couleurs en Photographie et en particulier
líHéliochromie au charbon, Paris, A. Marion, 1870.
POTONIEE G., Biographie de Louis Ducos du Hauron, Bulletin de la Société
française de photographie, 1914, p 149-163.
2.3 Fresson process
ALENIUS Edward K., The Fresson Process, American Photography, dec. 1934, p
7232-738.
BADRINATHAN C., RAJAGOPAL C., The Direct Carbon or Fresson Process, The
Photographic Journal, may/june 1978, p 130-134.
NADEAU L., History and practice of carbon printing, Atelier Luis Nadeau,
New-Brunswick, Canada, 1982.
GAESSLER D. Les grands maîtres du tirage, Paris, Contrejour, 1987.
2.4 Gum process
EMERY H., Le procédé à la gomme bichromatée, Paris, Charles Mendel, sd.
NADEAU L., Gum dichromate & other direct carbon processes from Artigue to
Zimmerman, Fredericton, Atelier Luis Nadeau, 1987.
MASKELL - DEMACHY - PUYO - EMERY - CROIZIER. Le procédé à la gomme
bichromatée, Paris, Jean Michel Place, 1986 (réédition).
PUYO C., Le procédé à la gomme bichromatée, Paris, Photo-Club de
Paris,1904.
ROUYER L., La gomme bichromatée, la pose dans les papiers à dépouillement,
Paris, Charles Mendel, sd.
SCOPICK D., The gum bichromate book, New York, Light Impressions, 1978.
2.5 Carbon process (historical)
AUBERT C. N., traité élémentaire et pratique de la photographie au charbon,
Gand Librairie générale de AD. Hoste, 1878.
FLEMING WM., D., Home Manufacture of Materials for Carbon Printing,
American Photography, august 1938, p 570-576.
LIEBERT A., La photographie en Amérique, traité complet de photographie
pratique, Paris, Liebert, 1878.
LIESEGANG Paul, A manual of the Carbon Process of Permanent Photography,
New York, The Scovill Manufacturing Co, 1878 (translated from the sixth
german edition by R. B. Martson).
MARTON A. M., A new Treatise on The Modern Methods of Carbon Printing,
Bloomington, Illinois, 1905 (2 th edition)
MASKELL - DEMACHY - PUYO - EMERY - CROIZIER. Le procédé à la gomme
bichromatée, Paris, Jean Michel Place, 1986 (réédition).
MONCKOVEN - LIEBERT - COLSON - TRANCHANT - SCHNEENBERGER. Les procédés au
charbon, Paris, Jean Michel Place, 1986 (réédition).
SCHNEEBERGER Henri, Les procédés au charbon, Paris, Gauthier-Villars, 1937.
SCHULLER A. (Dr), La sensitométrie du procédé au charbon, Le Procédé, 1913,
p 90-94.
The ABC guide of Autotype Carbon Printing, London, Autotype Company, 1909.
VIDAL Léon, Traité pratique de photographie au charbon, Paris,
Gauthier-Villars, 1887.
WHARTON SIMPSON G., On the Production of Photographs in Pigments containing
Historical Notes on Carbon Printing and Practical details of Swanís Patent
Carbon Process, London, Thomas Piper, 1867.
WILSON E. L., The American Carbon Manual, Scovill Manufacturing & Co, New
York, 1868.
2.6 Carbon Printing Industry
GEBHARDT Heinz, Franz Hanfstaengl, Von Der lithographie zur Photographie,
Münchner, Verlag C. H. Beck, 1984.
KEEPLER Victor, A Life of Color Photography, The Eight Art, London,
Chapman & Hall, 1939.
KEMPF Christian, Adolphe Braun (1812-1877) et la photographie, Lucigraphie,
1994.
Oí BRIEN Maureen C., BERGSTEIN Mary, Image and Enterprise, The Photographs
of Adolphe Braun, London, Thames & Hudson, 2000.
ROSENBLUM Naomi, Adolphe Braun, A 19 th Century Career in Photography,
History of Photography, 3, 4, oct. 1979, p 357-372.
2.7 Carbon process (contemporary)
GREEN Robert (Dr), Tricolor Carbro, the Rolls Royce of Color Printing
Process, Photographic, May 1977, p 79-87.
KING Sandy, The book of Carbon and Carbro, Contemporary Procedures for
Monochrome Pigment Printmaking, Greenville, Permanent Light Systems, sd.
NADEAU, Luis. History and practice of carbon processes, Fredericton,
Atelier Luis
Nadeau, 1982.
2.8 Carbro
DIERS Tracy, The Renaissance of Carbro, American Photography, July 1939, p
500-503.
HANWORTH Viscount, Amateur carbro Colour Prints, london, Focal Press, 1950.
NIBBELINK Don D., A Method of Monochrome Carbro, Photo Technique, sept.
1940, p 16-18.
SYMMES Ernest M., Tricolor Carbro, Process simplified, American
Photography, mars 1947, p 28-29.
SYMMES Ernest M, The Carbro Process, American Photography, mai 1947, p
38-39.
WALL E. J., The Carbro Process, American Photography, feb. 1929, p 82-88.
2.9 Tanning systems (theory)
ALEXEWICZ Werner G., Photographic Pigment Printing Processes, PSA Journal
(section B), nov. 1950, p 99-104.
BARNES Norman F., Color Caracteristics of ArtistsíPigments, JOSA, 29, may
1939, p 208-214.
EDER J., M., Réactions de líacide chromique et des chromates sur les
substances organiques au point de vue de leur utilisation photographique,
revue des Sciences Photographiques, 1905-1906, p 20-25, p 46-52 et p
138-155.
KOSAR Jaromir, Light Sensitive Systems, Chemistry and Application of Non
Silver Halide Photographic processes, New York, John Wiley & Sons, 1965.
LUMIERE A. et L. , SEYEWETZ A., Sur la composition de la gélatine imprégnée
de bichromate de potassium insolubilisée par la lumière et sur la théorie
de cette insolubilisation, Revue des Sciences Photographiques, 1905-1906,
p 364-370.
Sjölinder Sven, Dichromated Gelatin and Light Sensitivity, Journal of
Imaging Science, 30, 4, july/august 1986, p 151-154.
Sjölinder Sven, Swelling of Dichromated Gelatin Film, Journal of Imaging
Science, 28, 5, sept/oct 1986, p 180-184.
Sjölinder Sven, Dichromated Gelatin and the Mecanism of Hologam Formation,
Journal of Imaging Science, 25, 3, may/june 1981, p 112-118.
2.10 Ultrastable (Charles Berger tricolor carbon process)
Ultrastable, (technical paper from the manufacturer)
WILHELM H., Color Prints Forever, Popular Photography, Juin 1990, p 46-48.
WILHELM H. & BROWER C., The Permanence and Care of Color Photographs,
Preservation Publishing Company, Grinnel, Iowa, USA, 1993.
2.11 Vivex
COPPIN F.W., SPENCER D.A., Basic features of the Vivex process,
Photographic Journal (section B), 88 B, 4, 1948, p 78-83.
GIBSON R., ROBERTS P., Madame Yevonde - Colour, Fantasy and Myth, National
Portrait Gallery Publications, London, 1990.
halvor a *crit :
> Hi
>
> I signed up here this summer and started happily reading through the
> archives, reached june 2001 when the whole thing disapeared, as that was
> time for my vacation too I thought Iĺl wait and see..
>
> I would very much (please) like to read the rest of the archive since
> what I did read was very helpful, if it is possible to get access (or a
> copy).
>
> Just brief self intro, as it is first mail to this list, I am a
> Norwegian student at an image & information tech. course at a University
> in Japan, Chiba University. The last student here to use water instead
> of electricity as my prof said it.
>
> Are currently working somewhere inbetween carbon and woodburytype, are
> right now trying to see how thick I can print dichromated gelatin, while
> I have a lot of questions new ones tend to pop up before I have time to
> formulate them..
>
> Are looking for references bibliographies etc, reading material on
> theory of dichro gel etc, carbon & woodburytype, There is a big lovely
> library here with every single photo tech journal back to the beginning
> of photography, but I do not currently have time to flip through every
> one of them and could need some starting points. (I believe there is
> some references in the archive.... :)
>
> Thanks
> Halvor Bjørngård
> _______________________________________________
> Post to the list as PLAIN TEXT only - no HTML
> carbon mailing list
> carbon@spitbite.org
> FAQ at http://spitbite.org/carbon/list.html
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Received on Sat Dec 11 01:24:40 2004
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